The Great Release


The Great Release by Lidia Kenig

I often liken painting with being immersed in God, because when I am in the studio, it appears that the Universe orchestrates a joyful dance with the materials and processes so that the right procedure, the perfect color delivered in the perfect way, lands on a canvas without my physical involvement.

It may sound otherworldly, but I often feel like a puppet on a string, except that the strings are made up of pure light, and as painting progresses, light pours out in all directions, but I become the one generating it.  If I were to describe the overall emotion, I would call it love.

The studio is my happy place where I love openly and where I feel unconditionally loved. It is where, with unabashed trust I allow colors, textures and images to appear on the canvas. It is where I practice trusting life.

Thus, I was not surprised at the images in the completed canvas when I began the post painting meditation. I saw a bright sunrise above a fiery earth, facing a deep blue ocean below. Perhaps there are buildings in the distance, but there are no people about in this slice of Summertime.

My slice of summer was bittersweet. Long held traditions ended and relationships shifted or expired, yet I had many rewarding experiences reconnecting with old clients, successfully designing residential spaces, serendipitously finding places to exhibit artworks, attracting painting commissions and receiving heartfelt testimonials about my art and my designed interiors.  Like when I create, I was deeply present to what landed on my life canvas and in meditation, I reflected on the emotions that emerged and the people and situations that provoked the feelings.

I felt like I was being carried into a new life cycle, and consciously allowed all of it to coexist by trusting in its inherent rightness. As such, on the second meditation, I considered that the “fiery earth” I originally saw in the painting, could also be looked at as the very precious antique cloth that is my life.

I can’t prove that we have had many lives and accumulated what in Buddhism is called karma, which ripens in each lifetime. I noticed that not all the experiences and people that show up in our present life are a product of our thoughts and deeds in this life. Some seem to come from some other place and time. We can see strong patterns operating in people’s lives that can either help them grow in a supportive way or challenges them to become stronger. In all cases, when we become aware of these threads, often through meditation, that seem to run our lives and take inspired action, we gain much wisdom and can lead very fulfilling lives.

In my first meditation with the painting, I saw a starry sky receding to make way for the light of the sun. The land below is still smoldering from ravaging fires above the great ocean. The wind helps the ashes and debris to fly off into the ether. The bits blowing away depict the things, people, relationships, thoughts, emotions and life patterns being released from the mind, which is represented by the landscape. The rising tide washes away the last bits of live fire as a new day begins. The sun shines upon the parched land, spreading bits of light to help the ashes transform eventually into fertile soil.

On another day meditating with the painting, I focused on the textured “land” and began to see it as precious antique tapestry. All my life experiences, my mishaps and my triumphs in this or any other lifetimes have given my soul much material from which to create the rich cloth that is my life now and that could not have existed without such journey. Yet, in time, some threads on the cloth wear out and must be discarded because they no longer provide a viable structure to the tapestry. A good restorer can seamlessly weave new threads, place the worn-out ones into the recycle bin and lovingly return the cloth to its original glory.

I looked at the difficult changes that occurred this summer as worn out threads that needed to leave my life. In emptying the recycle bin I saw an opportunity to release old emotional baggage and lovingly weave new patterns into my life tapestry.  I appreciate what I learned from the outworn threads and admire the beauty and power of the parts that remain. Its overall stability accepts the new strength being provided by new material and trusts that, restored to its brilliance, it will gracefully carry me into a new life cycle!

I recently shared this painting, but not my interpretations with several clients as a meditation. In most cases, the revelations were quite powerful; all had to do with letting go of old patterns of thought!

The Great Release invites you to look within and let go of what no longer makes your life tapestry strong. Isn’t time to weave the shiny new threads to carry you, as if by magic into your best life?

Call it self-love and take inspired action; find the painting’s purchase options here in, The Great Release.

 

The Soft Eyes


The Soft Eyes @lidiascherart.com
The Soft Eyes © Lidia Kenig Scher, 2013

I like sitting on the banks of the Charles River looking toward the Boston coast line with the soft eyes of meditation.

In this state, I merge with the landscape, yet I am aware and fully present to the sound of the water, the chirping of birds and the rustle of the trees on this windy morning.

It could be any other place, you know. Any waterway will do, or a landscape.

With my soft eyes it could be winter, fall, summer or spring.

I breathe in the rising sun and breathe out the ripples on the water. I breathe in and pause, fill my lungs with wonderment and breathe out peace.

I breathe in the soft dew of the early hours and breathe out the serenity of just this precious moment.

I like looking through the soft eyes. It makes me feel whole.

Painting is available for purchase here . Gift yourself by practicing seeing with The Soft Eyes